Buddleia, Red Rose, Green Vase (2001) recalls Plaskett’s earlier explorations of still-lifes in pastel and exemplifies his skill as a painter.
Joseph (Joe) Plaskett (Canadian, 1918-2014, born New Westminster, BC) earned a History degree at the University of British Columbia (1939) before he turned his attention to art, under the encouragement of the Group of Seven painters Lawren S. Harris, G.G. Sedgewick, and Jock MacDonald. Plaskett had his first solo exhibitions at the Vancouver Art Gallery in 1941 and 1944. In 1946, Plaskett was awarded the first Emily Carr Scholarship, on which he spent a year in San Francisco studying art with Clyfford Still and others before travelling to New York where he studied with Hans Hofmann. With the encouragement of Hofmann, Plaskett developed his representational art style over the course of his long career. In 1947, Plaskett returned to Canada briefly before he went to study in London. After settling in Paris, Plaskett began to paint still lifes in pastels and oils, works that have garnered comparisons to French still-life painters such as Matisse.
As a representative example of the aesthetic shifts which mark his late works, the painting shows the development of his practice through the late 1990s and early 2000s, demonstrating his continued engagement with the still life genre, but with compositions that are “concentrated on isolated objects” as opposed to “the former abundance of forms,” as arts writer Brian Brennan argues.
In a lecture given by Plaskett at the MacKenzie Art Gallery in 1998, the artist pinpointed the shift in his work from situated still-lifes to isolated objects against abstracted backgrounds:
Plaskett’s work has been shown in more than 65 solo and group exhibitions since the 1940s, including the Art Gallery of the South Okanagan’s Reflections and Shadows exhibition (1994), which toured to the Art Gallery of Greater Victoria, the Beaverbrook Art Gallery, the Kamloops Art Gallery and the MacKenzie Art Gallery. Other notable solo exhibitions in which Plaskett’s work has been featured are Joe Plaskett and His World (1971-73), a touring exhibition organized by the Fine Arts Gallery, UBC and sponsored by the National Gallery of Canada; and The World of My Window (1978), which toured to the Canadian Cultural Centre in Paris and the Canada House Gallery in London, England.