Indian Theater: Native Performance, Art, and Self-Determination since 1969

23 mai 2025 – 21 septembre 2025

About the Exhibition

Curated By

Candice Hopkins (Carcross/Tagish First Nation), Executive Director & Chief Curator, Forge Project

Organized By

Center for Curatorial Studies, Bard College (CCS Bard), New York

Galleries

Kenderdine, RHW / Hill / Rawlinson, Sim

OPENING SOON—A blockbuster exhibition of Indigenous art, performance, and resistance

Indian Theater: Native Performance, Art, and Self-Determination since 1969 is the first large-scale exhibition of its kind to centre performance and theatre as an origin point for the development of contemporary art by Native American, First Nations, Métis, Inuit, and Alaska Native artists, beginning with the role that Indigenous artists have played in the self-determination era, sparked by the Occupation of Alcatraz by the Indians of All Tribes in 1969. Native artists then and now are at the vanguard of performance art practices and discourse. As part of Indian Theater, their work uses humour as a strategy for cultural critique and reflection, parses the inherent relationships between objecthood and agency, and frequently complicates representations of the Native body through signalling the body’s absence and presence via clothing, blanketing, and adornment. In the exhibition, song, dance, and music are also posited as a basis for collectivity and resistance and a means to speak back to a time when Native traditional ceremony and public gatherings were illegal in both the United States and Canada. In addition to artworks, the exhibition includes important archival material documenting the emergence of the New Native Theater movement in Santa Fe in 1969 as well as materials directly related to the early self-determination era. 

Featuring over 100 works by artists representing a range of perspectives and practices, as well as performances and activations throughout the summer. 

 

RELATED EVENTS

22 May 2025 | Opening Reception and Performance for Indian Theatre: Native Performance, Art and Self-Determination Since 1969

24 May 2025 | Rawlco Radio and the MacKenzie Art Gallery Free Admission Day

31 May 2025 | Described Tour for Indian Theater: Native Performance, Art, and Self-Determination since 1969

About the curator

CANDICE HOPKINS

Candice Hopkins is a curator and writer of Tlingit descent originally from Whitehorse, Yukon. She is Senior Curator of the Toronto Biennial of Art and co-curator of the 2018 SITE Santa Fe biennial, Casa Tomada. She was a part of the curatorial team for documenta 14 in Athens, Greece and Kassel, Germany and a co-curator of the major exhibitions Sakahàn: International Indigenous Art, Close Encounters: The Next 500 Years, and the 2014 SITElines biennial, Unsettled Landscapes in Santa Fe, New Mexico. Her writing is published widely and her recent essays and presentations include “Outlawed Social Life” for South as a State of Mind and Sounding the Margins: A Choir of Minor Voices at Small Projects, Tromsø, Norway. She has lectures internationally including at the Witte de With, Tate Modern, Dak’Art Biennale, Artists Space, Tate Britain and the University of British Columbia. She is the recipient of numerous awards including the Hnatyshyn Foundation Award for Curatorial Excellence in Contemporary Art and the 2016 the Prix pour un essai critique sur l’art contemporain by the Foundation Prince Pierre de Monaco. She is a citizen of Carcross/Tagish First Nation.

Une femme aux longs cheveux bruns et au sourire amical porte une veste noire. L'arrière-plan est légèrement flouté par des œuvres abstraites colorées.