In 1967, Agnes Martin unequivocally abandoned painting, gave up her New York studio, and, with a white pick-up truck and an Airstream trailer, set out on a road trip. She travelled first to California, and then to her birthplace in Saskatchewan, before finally settling in the Southwestern United States, where she had lived prior to her decade-long sojourn in New York. Martin would live in New Mexico for the rest of her life.
On a Clear Day, a portfolio of thirty screenprints created in 1973 at the invitation of print publisher Robert Feldman of Parasol Press, marked Martin’s return to artistic practice. It represents an idealized exploration of the potential vocabulary of the grid, Martin’s chosen subject for much of her painting career.
A parallel collection of ephemera and source material introduces Martin’s life and work, focusing on her on-going relationship to Canada – her childhood in Saskatchewan, Alberta, and British Columbia, as well as her later travels in Canada.