Maia Stark: Strange Dark Memory

27 March 2026 – 9 August 2026

About the Exhibition

Curated By

Felicia Gay

Organized & Circulated By

MacKenzie Art Gallery

Galleries

Sim Gallery

Saskatoon-based artist Maia Stark explores the figure of the double—such as twins, doppelgangers, and mirrored selves—as mythological symbols, in her first major institutional solo exhibition, Strange Dark Memory. Drawing on her Icelandic, Irish, and Scottish heritage, the artist references European folktales and fairytales to explore her personal experience as a twin, where doubling offers companionship and threatens individuality—a conceptual tension that informs all her work.  

Traditional fairytales use magical realism to explore dark or difficult subject matter, such as disease and death. Stark’s ceramic sculptures draw on these thematics, engaging symbolism such as shapeshifting animals and doubles to examine different representations of the Self.  In many folktales, twins can be both harbingers of death and stand-ins for the immortality of the soul. In Stark’s paintings, human and animal subjects, always doubled, are depicted in isolated and intimate forest scenes, often linked to one another through vein-like tendrils or physical touch. Throughout all Stark’s work, the physical body is constantly in transition, a symptom of the uncanny experience of dissociation that happens as physical bodies shift during an illness as well as the imperfect reflection of one’s own body through the experience of being a twin. 

Stark’s mysterious and poetic world operates as a space for healing and protection. Through her use of folkloric symbolism, Maia Stark’s work invites viewers into a reflective space where the self is in flux. The gallery functions as an extension of Stark’s work, inviting viewers to explore the artist’s creative world.  

Opening Event

Join artist Maia Stark for an opening evening celebrating Maia Stark: Strange Dark Memory on March 26, 2026, featuring an artist-curator conversation followed by an exhibition viewing and reception.

ASL interpretation will be available.

Event information here 

Recommended Reading List

Powers of Horror: An Essay on Abjection — Julia Kristeva (philosophical essay)

Bodies — Gillian Bennett (book)

On Ugliness — Umberto Eco (essay collection / visual history)

Chromophobia — David Batchelor (book)

Malady and Mortality: Illness, Disease and Death in Literary and Visual Culture — ed. Helen Thomas (edited collection)

The Road to Hel: A Study of the Conception of the Dead in Old Norse Literature — H. R. Ellis Davidson (monograph)

Myths and Symbols in Pagan Europe: Early Scandinavian and Celtic Religions — H. R. Ellis Davidson (book)

Surrealism and the Occult — Nadia Choucha (book)

Women Artists and the Surrealist Movement — Whitney Chadwick (book)

Mirror Images: Women, Surrealism, and Self-Representation — Whitney Chadwick (Exhibition catalogue/book)

Mirror Mirror: Self-Portraits by Women Artists — Liz Rideal, Whitney Chadwick, Frances Borzello (art book)

Women Framing Hair: Serial Strategies in Contemporary Art — Heather Hannah (book)

The Irresistible Fairy Tale: The Cultural and Social History of a Genre — Jack Zipes (book)

Once Upon a Time There Was Truth: What Fairy Tales Teach Us About Good and Evil — Jack Zipes (book)

Magical Realism: Theory, History, Community — ed. Lois Parkinson Zamora & Wendy B. Faris (edited collection)

A Lycanthropy Reader: Werewolves in Western Culture — ed. Charlotte F. Otten (edited collection)

The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles — Hillel Schwartz (book)

Confrontational Ceramics — Judith Schwartz (book)

Ceramics and the Human Figure — Edith Garcia (book)

Exhibition Walkthrough

Works in the exhibition

Events