Conceptions of White is an exhibition offering context and nuanced perspectives that help viewers grapple with contemporary configurations of White identity. The exhibition examines the origins, travel, and present reality of “Whiteness” as a concept and a racial invention that classifies degrees of civility/humanity. Select historical objects and artworks illustrate White origin myths within their historical context, revealing Whiteness as a North American, settler-colonial invention of the seventeenth century, created alongside “Blackness” and “Aboriginality.” The contemporary artists in this exhibition complicate this historical foundation by examining how these acts of racialization are felt today through concepts of White guilt, anxiety, supremacy, benevolence, fragility, and power. These artists force us to confront the ideology of cultural erasure embedded in the social construction of Whiteness, the ramifications of its continually expanding borders, and the society fostered by this relatively young theory of racial categorization. Together, the diverse narratives, images, and concepts presented in Conceptions of White examine the existential, experiential, and ethical dimensions of engaging in classifications of Whiteness, while also drawing on the conceptual connections between colonial Whiteness and the aesthetic, social, and philosophical meaning we ascribe to the colour white.
The exhibition is framed through a biracial lens with both curators seeking a clearer understanding of their own relationship to Whiteness. John G. Hampton (Chickasaw/Canadian/American) is the Executive Director and CEO of the MacKenzie Art Gallery and Lillian O’Brien Davis (Jamaican/Canadian) is the Curator of Exhibitions and Public Programming at Gallery 44.
Research toolkit available here.